GetDPI AZ Workshop: Black & White

June 24th, 2009


There is a subtly and grandeur found in a good black and white photography which is rarely matched in other imagery.

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Moab: Black and White Landscape

February 5th, 2009


Here are some of the images I captured at the Moab, Utah workshop run by GetDPI at which I was a guest instructor. These were shot with a Phase One P21 medium format digital camera modified for infrared capture. I’ve written about infrared photography previously and have a portfolio of landscape images taken with various infrared devices (film, dSLR, and medium format digital).

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After the Jump More of my B+W Images from this Workshop

OSU vs OU

September 5th, 2008


I prefer to remember this game as it was in the middle of the third quarter: OSU 12, OU 14.

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I had the great opportunity to see my Ohio University Bobcats take on the 3rd best team in the country, Ohio State. Thanks to Dr. Richard Suk for getting me an all access press pass so I could photograph the band, the cheerleaders, the crowd, and, at one point, the clouds in the sky.

I’m not a huge football fan, but even I was enormously proud of my school. We held in there with the best of the best for the entire game. In fact, though the end score doesn’t show it, we were winning for more than half of the game.

After the Jump: More Photos From the Game

Though You Can’t Go Home, You Can Photograph It

June 11th, 2008


My weekend was absolutely fantastic. I was able to spend some long overdue time with my family at my Grandparents’ home in Ohio. Several decades ago, when my father was a teenager my grandparents purchased a humble plot of land in rural north-east Ohio. After creating an artificial lake as a border, and decades of home improvement, DIY landscaping, and extensive gardening the result is the beautiful Peterson Island.

This wonderful environment was the perfect opportunity to test out a new camera: a Phase One P45+ Infrared Modified Digital Back. This is a 39 megapixel digital camera designed specifically to capture infrared light. I’ve previously blogged about the basics of infrared photography when I captured Infrared Landscapes of Australia’s Northern Coast. Previously however, all of my infrared work had been done with a point and shoot digital camera when traveling, or infrared film when shooting locally. Using this camera brought my love of infrared photography to a whole new level.

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After the Jump: More Infrared Landscape Images

Whitsundays: Infrared Landscapes

October 1st, 2006


These are a few infrared images I took while at the Whitsunday Coast.

Infrared photography relies on light outside the visible spectrum. Just as a red flower is red because it strongly reflects red light, an object is brighter (or darker) in infrared photography based on how much infrared light it reflects. Foliage containing chlorophyll, which strongly reflects infrared light, is bright, while open sky, which reflects blue light but very little infrared light, is very dark. This creates an interesting reversal of tones; instead of a light sky and dark foliage, the sky is very dark and foliage glows brightly. Photographers can take advantage of this tone reversal to create an eerie or ethereal feeling.